Master Bob Dylan's Techniques in Playing "Boots of Spanish Leather"

Master Bob Dylan's Techniques in Playing "Boots of Spanish Leather"

Table of Contents:

  1. Introduction
  2. Technique: Switching from G to C Shape
  3. Picking Pattern: Basic 4/4 Pattern
  4. Technique: Hammer On and Pull Off
  5. Using Techniques on other Chords
  6. Variation: B Minor 6 Chord
  7. Variations in Song Structure
  8. Conclusion

Introduction

In this video tutorial, we will be exploring the finer points of playing Bob Dylan's "Boots of Spanish Leather." We will delve into the various techniques and picking patterns used by Dylan, as well as examine some alternative chord variations and unique song structures. By the end of this tutorial, you will have a solid understanding of how to play this classic song with all its nuances and flavors.

Technique: Switching from G to C Shape

One technique that Dylan frequently employs in his songs, including "Boots of Spanish Leather," is the switching between a G shape and a half C shape within the G chord. To achieve this, begin by holding down the standard G shape, leaving the first finger free. Then, shift the second finger from the fifth string up to the fourth, and introduce the first finger onto the second string in the first fret to play the half C shape. Practice smoothly transitioning between these shapes while maintaining a steady picking pattern.

Pros: Adds a unique flavor to the song. Cons: Requires some finger dexterity and practice.

Picking Pattern: Basic 4/4 Pattern

Let's start by learning the basic 4/4 picking pattern for "Boots of Spanish Leather." The pattern follows a counting of 1 & 2 & 3 & 4 &. Use your thumb and fingers to pluck the strings in the following order: 6-4-3-1-2-3 (bass note-thumb, melody notes-fingers). Practice this pattern until you can play it effortlessly and smoothly.

Technique: Hammer On and Pull Off

Next, we'll explore a technique called the hammer on and pull off. To perform a hammer on, pinch two strings together by plucking the sixth string with your thumb and the second string with your second finger. Simultaneously, hammer on your first finger onto the second string in the first fret. This will produce a slightly different sound. To execute a pull off, repeat the same plucking action but pull off your first finger instead of hammering on. This technique adds dynamics and variation to your playing.

Using Techniques on other Chords

You can apply the techniques we've learned on other chords in "Boots of Spanish Leather." For example, try using the hammer on and pull off technique on the A-7 with added 9th chord. Play the A minor shape in the 1st and 2nd frets and shift it up two frets to the 3rd and 4th frets. Use the same thumb and second finger plucking technique to pluck the strings. Experiment with these techniques to add depth and complexity to the song.

Variation: B Minor 6 Chord

Another chord variation to consider is the B minor 6 chord, which can be used as an alternative to the D7 add 9 chord. To play the B minor 6 chord, start with an E minor shape and shift it up one whole step. Then, bar the second fret with your index finger and place your second, third, and fourth fingers on the fourth, third, and second strings respectively. This chord adds a unique flavor to the song and can be used sparingly for variation.

Variations in Song Structure

Dylan often varied the structure of "Boots of Spanish Leather" in his performances. Instead of returning directly from the D7 chord to the G chord, he sometimes inserted a C chord in between. Listen to the original recording and observe how Dylan seamlessly transitions between these chords. Additionally, he occasionally drops down to a D7 briefly before returning to the G chord. These variations add interest and keep the song fresh.

Conclusion

By incorporating the techniques, chord variations, and song structure variations discussed in this tutorial, you will be able to play Bob Dylan's "Boots of Spanish Leather" with greater depth and authenticity. Remember to practice diligently and experiment with your own interpretations of the song. Enjoy the process and have fun exploring the nuances of this timeless classic.


Highlights:

  • Techniques: Switching between G and C shapes, Hammer On and Pull Off
  • Picking Pattern: Basic 4/4 Pattern
  • Chord Variation: B Minor 6
  • Song Structure Variations: Incorporating C chord and D7 chord
  • Practice and Experimentation for Personal Interpretation

FAQ:

Q: Can these techniques be applied to other songs as well? A: Absolutely! The techniques demonstrated in this video are common in folk and acoustic guitar playing, making them applicable to a wide range of songs.

Q: Are these variations necessary to play the song correctly? A: No, they are not essential. However, adding these variations can enhance your performance and make it more interesting.

Q: How long does it take to master these techniques? A: It depends on your current skill level and the amount of practice you put in. Regular practice and dedication will lead to proficiency.


Resources:

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